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Ethnomusicology Review offers diverse scholarly approaches to musical practice in the form of articles, essays, and reviews. We invite you to explore a preview of Volume 22 and past issues of our peer-reviewed annual journal as well as our Sounding Board, featuring seven columns of invited essays and reviews published weekly.
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The Forging of Musical Festivity in Baloch Muscat: From Arabian Sea Empire to Gulf Transurbanism to the Pan-Tropical Imaginary
Figure 1. Muscat. Muscat is known internationally as a low-key, unassuming city with a faint aura of Indian Ocean mystique. Far less ostentatious or fast-paced than other Gulf capitals, Muscat...
Introduction
Welcome to Volume 22, issue 1 of Ethnomusicology Review! This issue features an invited essay along with three peer-reviewed articles that cover a wide range of topics, geographical areas,...
The Role of Tone-colour in Japanese Shakuhachi Music
Tone-colour has historically played a remarkably important role in Japanese music, often taking priority over precision in pitch. Though pitch / melodic flow and tone-colour both play important roles...
doge- 旋风加速器官网
Review | Sound-Politics in São Paulo
Sound-Politics in São Paulo. By Leonardo Cardoso. Oxford: Oxford University Press, 2024. 247 pp. ISBN: 9780190660109Reviewed by Patrick MurphyLeonardo Cardoso’s Sound-Politics in São Paulo...
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“Die Schwarze Germania:” Race, Gender and Monstrosity within Rammstein’s Deutschland
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doge- 旋风加速器官网
Review | Sound-Politics in São Paulo
Sound-Politics in São Paulo. By Leonardo Cardoso. Oxford: Oxford University Press, 2024. 247 pp. ISBN: 9780190660109Reviewed by Patrick MurphyLeonardo Cardoso’s Sound-Politics in São Paulo brings an innovative approach and trenchant analysis to the question of...
Echoing Egypt: A Close Listening to Mahraganat’s Relationality
The only discernible stabilities in Relation have to do with the interdependence of the cycles operative there, how their corresponding patterns of movement are in tune. In Relation analytic thought is led to construct unities whose...
